high quality siklscreenprint on 300gr paper
to order:
https://www.baden.ch/de/kultur-freizeit/online-shop/spezialangebote.html/936
high quality siklscreenprint on 300gr paper
to order:
https://www.baden.ch/de/kultur-freizeit/online-shop/spezialangebote.html/936
high quality siklscreenprint on 300gr paper
to order:
https://www.baden.ch/de/kultur-freizeit/online-shop/spezialangebote.html/936
playingcards derived from the VERSUS Badenfahrt art-posters
created for the swiss game «Jass» but can be used for any card-game from 6 till ace
for orders:
https://www.baden.ch/…/kultur-freizeit/online-shop/spez…/936
Bolero. Tanz der Feuertaube
acrylic & spray on wood
9 x 19m
Kloster Königsfelden Brugg
04 | 2017
merci Zis, Thomas, Dora, Brigitta, Pitt & Team, Judith, Flamenco en route, Tanz & Kunst, Ernst, Alex, ...
Maja Hürst
person with robin | Mensch mit Rotkehlchen
2017
TIKA
acrylic on paper on wood
52cm x 70cm
3/3 iBACK
2 sides silkscreen iris print
2 layers spray stencil
removable felt point on
oxidated black steel & cd
music from Big Zis & Julian Sartorius
29cm x 29cm
edition of 100
signed and numbered by TIKA & Big Zis
100.- chf plus shipping from Switzerland
order tika@gmx.ch
DURCH DIE EIBE
acrylic, collage, stapels, magnets on paper
42cm x 59.4cm
12|2016
my piece for the group-show Berlin Papers, curated by The Art Union
at Espacio La Cochera in Santiago de Chile
acrilic, graphite, collage on canvas
30 x 40 cm
11|2016
stretching his body, lifting his antlers
one last glance over his back
workers got fired from the cellulose production
deer was sent to be slaughtered
i don't really understand why, they don't really understand me
i don't really understand why they don't really understand me
ruins howl from the past
30m x 16m
acrylic & spray
Kettenreaktion, Attisholz
10|2016
ink, graphite, acrylic on paper on wood
São Paulo, Zürich
01-09|2016
acryilic & spray on wall
09/2016
Lenzburg
woulf & birds
Damm Zürich
09/2016
spray on shutters
Kern Bar, Zürich
09/2016
spray on shutters
Kern Bar, Zürich
09/2016
detail
spray on metall
Kern Bar, Zürich
09/2016
making of
Studio Zürich
07|2016
boar & bull
from head to tail
from the beginning to the end
chalk, spray, aluminiumtape, lightchain on wood
07/2016
Holzpark Basel
boar & bull
from head to tail
from the beginning to the end
chalk, spray, aluminiumtape, lightchain on wood
07/2016
Holzpark Basel
boar & bull
from head to tail
from the beginning to the end
chalk, spray, aluminiumtape, lightchain on wood
07/2016
Holzpark Basel
boar & bull
from head to tail
from the beginning to the end
chalk, spray, aluminiumtape, lightchain on wood
07/2016
Holzpark Basel
boar & bull
from head to tail
from the beginning to the end
chalk, spray, aluminiumtape, lightchain on wood
07/2016
Holzpark Basel
boar & bull
from head to tail
from the beginning to the end
chalk, spray, aluminiumtape, lightchain on wood
07/2016
Holzpark Basel
i like big trucks and i can not lie
making of RAQUEL
Zürich studio
acrylic, spray, alutape on wall
Teiggi Areal Kriens
side 1 & 2
this area was built in 1868 as a noodle factory
since 40 years it has been used as a exhibition off space, artist and musician studios, garden, a super good pizzaria, a carpet shop and last but not least the kindergarden «Papagei» (parrot) which gave the inspiration to paint this huge bird.
as so many other old factory areas it has been left untended all these years and now this one too will soon be torn down.
another part of history erased.
only preserved on photographs
not anymore to be lived in and experienced.
places that smell of old wood.
the parrot will hold tight till he'll get fed the demolition pear.
thankyou Guck mal Günther, Kunst team! ihr sind Schätz!
das Füür, das super Gköch und die guete G'spröch,
dä gshredderet Cash und d'Kafis... und alles susch
thankyou Wohnwerk for the Schärelift & die schöne Klappstüehl
thankyou Bianca Litscher for make me feel home & the visits with Vero Pix und megapizza mit mega Eva-Maria Würth incl. Schildertransport
thankyou Papagei-Mama for the Zopf and Gonfi
RESISTANCE A L'IGNORANCE!
acrylic, spray, alutape on wall
Teiggi Areal Kriens
side 1 & 2
this area was built in 1868 as a noodle factory
since 40 years it has been used as a exhibition off space, artist and musician studios, garden, a super good pizzaria, a carpet shop and last but not least the kindergarden «Papagei» (parrot) which gave the inspiration to paint this huge bird.
as so many other old factory areas it has been left untended all these years and now this one too will soon be torn down.
another part of history erased.
only preserved on photographs
not anymore to be lived in and experienced.
places that smell of old wood.
the parrot will hold tight till he'll get fed the demolition pear.
thankyou Guck mal Günther, Kunst team! ihr sind Schätz!
das Füür, das super Gköch und die guete G'spröch,
dä gshredderet Cash und d'Kafis... und alles susch
thankyou Wohnwerk for the Schärelift & die schöne Klappstüehl
thankyou Bianca Litscher for make me feel home & the visits with Vero Pix und megapizza mit mega Eva-Maria Würth incl. Schildertransport
thankyou Papagei-Mama for the Zopf and Gonfi
RESISTANCE A L'IGNORANCE!
acrylic, spray, alutape on wall
Teiggi Areal Kriens
side 3 & 4
this area was built in 1868 as a noodle factory
since 40 years it has been used as a exhibition off space, artist and musician studios, garden, a super good pizzaria, a carpet shop and last but not least the kindergarden «Papagei» (parrot) which gave the inspiration to paint this huge bird.
as so many other old factory areas it has been left untended all these years and now this one too will soon be torn down.
another part of history erased.
only preserved on photographs
not anymore to be lived in and experienced.
places that smell of old wood.
the parrot will hold tight till he'll get fed the demolition pear.
thankyou Guck mal Günther, Kunst team! ihr sind Schätz!
das Füür, das super Gköch und die guete G'spröch,
dä gshredderet Cash und d'Kafis... und alles susch
thankyou Wohnwerk for the Schärelift & die schöne Klappstüehl
thankyou Bianca Litscher for make me feel home & the visits with Vero Pix und megapizza mit mega Eva-Maria Würth incl. Schildertransport
thankyou Papagei-Mama for the Zopf and Gonfi
RESISTANCE A L'IGNORANCE!
acrylic, spray, alutape on wall
Teiggi Areal Kriens
side 1 & 2
this area was built in 1868 as a noodle factory
since 40 years it has been used as a exhibition off space, artist and musician studios, garden, a super good pizzaria, a carpet shop and last but not least the kindergarden «Papagei» (parrot) which gave the inspiration to paint this huge bird.
as so many other old factory areas it has been left untended all these years and now this one too will soon be torn down.
another part of history erased.
only preserved on photographs
not anymore to be lived in and experienced.
places that smell of old wood.
the parrot will hold tight till he'll get fed the demolition pear.
thankyou Guck mal Günther, Kunst team! ihr sind Schätz!
das Füür, das super Gköch und die guete G'spröch,
dä gshredderet Cash und d'Kafis... und alles susch
thankyou Wohnwerk for the Schärelift & die schöne Klappstüehl
thankyou Bianca Litscher for make me feel home & the visits with Vero Pix und megapizza mit mega Eva-Maria Würth incl. Schildertransport
thankyou Papagei-Mama for the Zopf and Gonfi
RESISTANCE A L'IGNORANCE!
MITSU
Izakaya Restaurant
Zürich K4
05|2016
wallpaintings & lanterns
acrylic & spray
on wall & paper
MITSU food: Hiroshi Ochiai
architect: Nicholas Frei with Carsten Steinacker
pictures: Nicholas Frei | MITSU | www-digest
merci: Stephan Brunner & MITSU team
MITSU
Izakaya Restaurant
Zürich K4
05|2016
wallpaintings & lanterns
acrylic & spray
on wall & paper
MITSU food: Hiroshi Ochiai
architect: Nicholas Frei with Carsten Steinacker
pictures: Nicholas Frei | MITSU | www-digest
merci: Stephan Brunner & MITSU team
acrylic on wall & ceiling
entrance of a private house
Amsterdam
arranged objects, spray on wall
arrabged objects, spray on wall
arranged objects, spray on wall
acrilic, pyrography on wood
acrylic, pyrography on wood
acrilic, spray on canvas
200 x 200cm
portrait for the catalogue
by Christian Senti
Maja Hürst
soloshow
EXECRATIKA
04/28 — 05/28/2016
Galerie Rigassi by Soon
Bern
Maja Hürst
soloshow
EXECRATIKA
04/28 — 05/28/2016
Galerie Rigassi by Soon
Bern
Maja Hürst
soloshow
EXECRATIKA
04/28 — 05/28/2016
Galerie Rigassi by Soon
Bern
Maja Hürst
soloshow
EXECRATIKA
04/28 — 05/28/2016
Galerie Rigassi by Soon
Bern
Maja Hürst
soloshow
EXECRATIKA
04/28 — 05/28/2016
Galerie Rigassi by Soon
Bern
Maja Hürst
soloshow
EXECRATIKA
04/28 — 05/28/2016
Galerie Rigassi by Soon
Bern
Maja Hürst
soloshow
EXECRATIKA
04/28 — 05/28/2016
Galerie Rigassi by Soon
Bern
music corner in my Zürich studio
with a shelf i built recently
glimpse into my Zürich workspace / storage
dinosaur animal
cubist transparency
acrylic, dispersion, scratch on wall
03/2016
Kafi für Dich, Zürich
spray, aluminiumtape on plastic
03/2016
glimps in my atelier in Rio
02/2016
11m x 3m
spray, wallpaint, aluminiumsticker
Rio de Janeiro
27/02/2016
drawing
Rio de Janeiro
acrilic, spray on wall
Gloria, Rio de Janeiro
01/2016
inspired by the name of the street,
meaning the warrior
a portrait over four windows
a arrow in the hand
walking barefeet into winter
only her full body overcoat
and the lights give warmth
to the following wintermonths
it lights up every evening from 16h — 20h
10/30/2015 — 06/2016
Kunstfenster H10
Hildastrasse 10 Zürich
inspired by the name of the street,
meaning the warrior
a portrait over four windows
a arrow in the hand
walking barefeet into winter
only her full body overcoat
and the lights give warmth
to the following wintermonths
it lights up every evening from 16h — 20h
10/30/2015 — 06/2016
Kunstfenster H10
Hildastrasse 10 Zürich
sails of a boat
Cecina, Italy
exhibitionview
1/12 Egli
groupshow
05. —14.06.2015
1 LOFT / 12 KÜNSTLER
mit Gen Atem & Miriam Bossard | So:ren Berner | Johannes Gees | Christoph Haerle | Maja Hürst | Rémi Jaccard | Andreas Marti | Mickry 3 | Philipp Schaerer | Oliver Zenklusen | Jiajia Zhang | Zaccheo Zilioli
guestroom in a french castle
light and dark
day and night
wake and sleep
reality and dream
strange and familiar
and this moment in between
graine de folie
grain of folly
Thankyou Thomas, Monika, Mathilda, Steffi, Tom, Meret, Cindy, Ray, Rolf, Volker, Jason, Ceci, ...
Fou de Fougerette
Etang-sur-Arroux
Burgund France
guestroom in a french castle
light and dark
day and night
wake and sleep
reality and dream
strange and familiar
and this moment in between
graine de folie
grain of folly
Thankyou Thomas, Monika, Mathilda, Steffi, Tom, Meret, Cindy, Ray, Rolf, Volker, Jason, Ceci, ...
Fou de Fougerette
Etang-sur-Arroux
Burgund France
guestroom in a french castle
light and dark
day and night
wake and sleep
reality and dream
strange and familiar
and this moment in between
graine de folie
grain of folly
Thankyou Thomas, Monika, Mathilda, Steffi, Tom, Meret, Cindy, Ray, Rolf, Volker, Jason, Ceci, ...
Fou de Fougerette
Etang-sur-Arroux
Burgund France
Baslilisk
Steinentorstrasse 45
Basel
exhibitionview
aire — fire
Stägehuus
Zürich
16-19.04.2015
curated by Rémi Jaccard & Katharina Lang
exhibitionview
earth — water
Stägehuus
Zürich
16-19.04.2015
curated by Rémi Jaccard & Katharina Lang
exhibition catalogue
limited edition of 50
signed and numbered
5 colour risograph print
Tages Anzeiger
16.04.2015
Thileebans peacock foodtruck
best Kottu Roti in Zürich and at festivals around!
march 2015
Thileebans peacock foodtruck
best Kottu Roti in Zürich and at festivals around!
march 2015
morning grayness | morning horror | dawn
donkey | dragonfly | frog | goat | peacock | giraffe | cat
– animals the neighbors chose
the animals of Kreis 5 dwelling in dawn
behind silver sparkling weed
subconsciously waiting for the next horrors to come
ignoring gentrification
lingering the shimmering moment
the next erection crane bray for food
Limmatstrasse 42
Zürich
morning grayness | morning horror | dawn
donkey | dragonfly | frog | goat | peacock | giraffe | cat
– animals the neighbors chose
the animals of Kreis 5 dwelling in dawn
behind silver sparkling weed
subconsciously waiting for the next horrors to come
ignoring gentrification
lingering the shimmering moment
the next erection crane bray for food
Limmatstrasse 42
Zürich
acrylic, pyrography on carved wood
ca. 23 x 31cm
wood & frame found in Rio de Janeiro
Zürich 2015
wedding-present for Emilia & Martin
Jean-Gilles & Tino
sunset, water lilies covered river, lilac breasted rollers
full moon, bird of paradise blossoms, scarlet ibis
acrylic, woodcut, pyrography on found woodbox diptychon
Mumbai, Ahmedabad, Goa, Zürich
12/2014
PEGASUS & FOAL
acrylic, spray and aluminiumtape on wall
Sunshine School
Tvak Art Studios
Ahmedabad, India
12/2014
Darawi, Mumbai 2014
St+art festival
high above in the sky
windy air like wavy water
deep down in the ocean
on a rooftop full of garbage
thoughts of plastic in the sea
thoughts of murdered animals through eaten plastic
desire to change peoples habit of throwing garbage mindlessly away
letting it float into wherever
letting it suffocate our habitat
remembering childhood days when we liked fish as sticks
calling them fishfingers
twisted thoughts on what if fish would eat us like we eat them
(audio-read Schätzing's «The Swarm»)
exhausted from Mumbai madness
exhausted from New Friends
happy afterall
yolo
Mumbai 2014
St+art India festival
animals as humans
many different characters
many different realities and perspectives
sharing this life, now, on this planet, here, today
interacting, with friction, love and care
an encouragement for respect of each others diversity
make the best of what you have, wherever you are
see the beauty present in this moment
put your smartphone aside once in a while
be 100% animal
live now
samo
THANK YOU & LOVE to all who stood down there and watched for hours and hours and the alutape-cutting-crew!
photo credits: Thomas W Meyer
Martin / Andreas / Tom
25.3 x 27.5
acrylic and pyrography on woodcut
09/2014
A comissioned portrait of the three initiators of jungkunst.
RACOON WITH THE GOLDEN EGG
digging through trash
shockolate, cacao with adrenalin
polluting uselessness
d.i.y., containering and occupation
is happiness with not needing much
is like holding the golden egg
it's like beeing a racoon sometimes
the original is situated at Grimmstrasse Halle / Germany
A.Y.C.P. - Freiraumgalerie Halle/Saale
I cannot put the gratitude in words for the experience of this week!
Thank you all for the amazing commitment and time!!!
the Gepäckausgabe used to be the former luggage storage space of the trainstation Glarus, situated next to the Kunsthaus Glarus. After beeing Abandoned for some years the curators Katharina Lang and Martina Jakober invited artists, one after the other, to work and live for a week in the space and transform it by reacting on the already present traces of the past as its former storage use and on the interventions of the previous artist.
My interaction was to separate the space in squares, all with materials found in the room. the only things i brought along was buckets of silver-tape, white, black, yellow, red, and blue paint, a jigsaw and a drillingmachine. while cutting out the linoleum square on the floor I found bits of newspapers from the 1950ies which I collaged in the counter window, bits of talks from the past which still can be red from both sides. also the cut away linoleum showed a monotype print from all the feet which have walked over it in the past 65 years, rupping the dirt into the cardboard. On the hanging square in the middle of the room visitores were asked to store their travelling stories on a pies of paper, knotted to a square made of batten.
installationview of my transformation of the Gepäckausgabe Glarus
06 — 27/09/2014
curated by Katharina Lang & Martina Jakober
making of timelaps
the Gepäckausgabe used to be the former luggage storage space of the trainstation Glarus, situated next to the Kunsthaus Glarus. After beeing Abandoned for some years the curators Katharina Lang and Martina Jakober invited artists, one after the other, to work and live for a week in the space and transform it by reacting on the already present traces of the past as its former storage use and on the interventions of the previous artist.
My interaction was to separate the space in squares, all with materials found in the room. the only things i brought along was buckets of silver-tape, white, black, yellow, red, and blue paint, a jigsaw and a drillingmachine. while cutting out the linoleum square on the floor I found bits of newspapers from the 1950ies which I collaged in the counter window, bits of talks from the past which still can be red from both sides. also the cut away linoleum showed a monotype print from all the feet which have walked over it in the past 65 years, rupping the dirt into the cardboard. On the hanging square in the middle of the room visitores were asked to store their travelling stories on a pies of paper, knotted to a square made of batten.
installationview of my transformation of the Gepäckausgabe Glarus
06 — 27/09/2014
curated by Katharina Lang & Martina Jakober
making of timelaps
the Gepäckausgabe used to be the former luggage storage space of the trainstation Glarus, situated next to the Kunsthaus Glarus. After beeing Abandoned for some years the curators Katharina Lang and Martina Jakober invited artists, one after the other, to work and live for a week in the space and transform it by reacting on the already present traces of the past as its former storage use and on the interventions of the previous artist.
My interaction was to separate the space in squares, all with materials found in the room. the only things i brought along was buckets of silver-tape, white, black, yellow, red, and blue paint, a jigsaw and a drillingmachine. while cutting out the linoleum square on the floor I found bits of newspapers from the 1950ies which I collaged in the counter window, bits of talks from the past which still can be red from both sides. also the cut away linoleum showed a monotype print from all the feet which have walked over it in the past 65 years, rupping the dirt into the cardboard. On the hanging square in the middle of the room visitores were asked to store their travelling stories on a pies of paper, knotted to a square made of batten.
installationview of my transformation of the Gepäckausgabe Glarus
06 — 27/09/2014
curated by Katharina Lang & Martina Jakober
making of timelaps
the Gepäckausgabe used to be the former luggage storage space of the trainstation Glarus, situated next to the Kunsthaus Glarus. After beeing Abandoned for some years the curators Katharina Lang and Martina Jakober invited artists, one after the other, to work and live for a week in the space and transform it by reacting on the already present traces of the past as its former storage use and on the interventions of the previous artist.
My interaction was to separate the space in squares, all with materials found in the room. the only things i brought along was buckets of silver-tape, white, black, yellow, red, and blue paint, a jigsaw and a drillingmachine. while cutting out the linoleum square on the floor I found bits of newspapers from the 1950ies which I collaged in the counter window, bits of talks from the past which still can be red from both sides. also the cut away linoleum showed a monotype print from all the feet which have walked over it in the past 65 years, rupping the dirt into the cardboard. On the hanging square in the middle of the room visitores were asked to store their travelling stories on a pies of paper, knotted to a square made of batten.
installationview of my transformation of the Gepäckausgabe Glarus
06 — 27/09/2014
curated by Katharina Lang & Martina Jakober
making of timelaps
the Gepäckausgabe used to be the former luggage storage space of the trainstation Glarus, situated next to the Kunsthaus Glarus. After beeing Abandoned for some years the curators Katharina Lang and Martina Jakober invited artists, one after the other, to work and live for a week in the space and transform it by reacting on the already present traces of the past as its former storage use and on the interventions of the previous artist.
My interaction was to separate the space in squares, all with materials found in the room. the only things i brought along was buckets of silver-tape, white, black, yellow, red, and blue paint, a jigsaw and a drillingmachine. while cutting out the linoleum square on the floor I found bits of newspapers from the 1950ies which I collaged in the counter window, bits of talks from the past which still can be red from both sides. also the cut away linoleum showed a monotype print from all the feet which have walked over it in the past 65 years, rupping the dirt into the cardboard. On the hanging square in the middle of the room visitores were asked to store their travelling stories on a pies of paper, knotted to a square made of batten.
installationview of my transformation of the Gepäckausgabe Glarus
06 — 27/09/2014
curated by Katharina Lang & Martina Jakober
making of timelaps
the Gepäckausgabe used to be the former luggage storage space of the trainstation Glarus, situated next to the Kunsthaus Glarus. After beeing Abandoned for some years the curators Katharina Lang and Martina Jakober invited artists, one after the other, to work and live for a week in the space and transform it by reacting on the already present traces of the past as its former storage use and on the interventions of the previous artist.
My interaction was to separate the space in squares, all with materials found in the room. the only things i brought along was buckets of silver-tape, white, black, yellow, red, and blue paint, a jigsaw and a drillingmachine. while cutting out the linoleum square on the floor I found bits of newspapers from the 1950ies which I collaged in the counter window, bits of talks from the past which still can be red from both sides. also the cut away linoleum showed a monotype print from all the feet which have walked over it in the past 65 years, rupping the dirt into the cardboard. On the hanging square in the middle of the room visitores were asked to store their travelling stories on a pies of paper, knotted to a square made of batten.
installationview of my transformation of the Gepäckausgabe Glarus
06 — 27/09/2014
curated by Katharina Lang & Martina Jakober
making of timelaps
the Gepäckausgabe used to be the former luggage storage space of the trainstation Glarus, situated next to the Kunsthaus Glarus. After beeing Abandoned for some years the curators Katharina Lang and Martina Jakober invited artists, one after the other, to work and live for a week in the space and transform it by reacting on the already present traces of the past as its former storage use and on the interventions of the previous artist.
My interaction was to separate the space in squares, all with materials found in the room. the only things i brought along was buckets of silver-tape, white, black, yellow, red, and blue paint, a jigsaw and a drillingmachine. while cutting out the linoleum square on the floor I found bits of newspapers from the 1950ies which I collaged in the counter window, bits of talks from the past which still can be red from both sides. also the cut away linoleum showed a monotype print from all the feet which have walked over it in the past 65 years, rupping the dirt into the cardboard. On the hanging square in the middle of the room visitores were asked to store their travelling stories on a pies of paper, knotted to a square made of batten.
installationview of my transformation of the Gepäckausgabe Glarus
06 — 27/09/2014
curated by Katharina Lang & Martina Jakober
making of timelaps
the Gepäckausgabe used to be the former luggage storage space of the trainstation Glarus, situated next to the Kunsthaus Glarus. After beeing Abandoned for some years the curators Katharina Lang and Martina Jakober invited artists, one after the other, to work and live for a week in the space and transform it by reacting on the already present traces of the past as its former storage use and on the interventions of the previous artist.
My interaction was to separate the space in squares, all with materials found in the room. the only things i brought along was buckets of silver-tape, white, black, yellow, red, and blue paint, a jigsaw and a drillingmachine. while cutting out the linoleum square on the floor I found bits of newspapers from the 1950ies which I collaged in the counter window, bits of talks from the past which still can be red from both sides. also the cut away linoleum showed a monotype print from all the feet which have walked over it in the past 65 years, rupping the dirt into the cardboard. On the hanging square in the middle of the room visitores were asked to store their travelling stories on a pies of paper, knotted to a square made of batten.
installationview of my transformation of the Gepäckausgabe Glarus
06 — 27/09/2014
curated by Katharina Lang & Martina Jakober
making of timelaps
the Gepäckausgabe used to be the former luggage storage space of the trainstation Glarus, situated next to the Kunsthaus Glarus. After beeing Abandoned for some years the curators Katharina Lang and Martina Jakober invited artists, one after the other, to work and live for a week in the space and transform it by reacting on the already present traces of the past as its former storage use and on the interventions of the previous artist.
My interaction was to separate the space in squares, all with materials found in the room. the only things i brought along was buckets of silver-tape, white, black, yellow, red, and blue paint, a jigsaw and a drillingmachine. while cutting out the linoleum square on the floor I found bits of newspapers from the 1950ies which I collaged in the counter window, bits of talks from the past which still can be red from both sides. also the cut away linoleum showed a monotype print from all the feet which have walked over it in the past 65 years, rupping the dirt into the cardboard. On the hanging square in the middle of the room visitores were asked to store their travelling stories on a pies of paper, knotted to a square made of batten.
installationview of my transformation of the Gepäckausgabe Glarus
06 — 27/09/2014
curated by Katharina Lang & Martina Jakober
making of timelaps
the Gepäckausgabe used to be the former luggage storage space of the trainstation Glarus, situated next to the Kunsthaus Glarus. After beeing Abandoned for some years the curators Katharina Lang and Martina Jakober invited artists, one after the other, to work and live for a week in the space and transform it by reacting on the already present traces of the past as its former storage use and on the interventions of the previous artist.
My interaction was to separate the space in squares, all with materials found in the room. the only things i brought along was buckets of silver-tape, white, black, yellow, red, and blue paint, a jigsaw and a drillingmachine. while cutting out the linoleum square on the floor I found bits of newspapers from the 1950ies which I collaged in the counter window, bits of talks from the past which still can be red from both sides. also the cut away linoleum showed a monotype print from all the feet which have walked over it in the past 65 years, rupping the dirt into the cardboard. On the hanging square in the middle of the room visitores were asked to store their travelling stories on a pies of paper, knotted to a square made of batten.
installationview of my transformation of the Gepäckausgabe Glarus
06 — 27/09/2014
curated by Katharina Lang & Martina Jakober
making of timelaps
acrylic on canvas
110 x 90 cm
Zürich 2014
ink on archival paper
17.8 x 21cm
Zürich 2014
first of august
swiss national day in a chalet
with a view on the Matterhorn
roasted vegetables on a big big big fire
plus a gold-rain-vulcano in the rain
blisters on my feet from hiking
through smelling swiss stone pines woods
and meadows of alp-flowers in all colors
the wakening tuuuiiit tuuuuit of the marmot
drawing the cock-a-doodle-doo
like traditional papercut
for further information regarding to purchase this work
please write an e-mail
summer, friends, paint & diving from bridges
rainy 17°C july evening
good time to wash away colours over canvases
and paint a rainy peacock
acrylic, graphite on canvas
70 x 90 cm (streched)
Zürich 2014
for further information regarding to purchase this work
please write an e-mail
acrylic, spray, alutape and lightchain on wall
privat house, Zürich 2014
acrylic, spray and alutape on wall
private residence, Zürich 07/2014
Bellevue
Tagesanzeiger 28/06/2014
not everything written in a newspaper is true
gray ponds
regular fish
daily «did you see what they did»
inner uproar because of a crane
inner uproar because of some paint
along swim some glittery rainbowfishes
share their scales with all the gales
change the chit-chat towards tales
acrylic, spray and alutape on wall
private residence, Winterthur 06/2014
HOT DOG LEGS
acrylic, spray, needles and alutape on canvas
150 x 180 cm
Zürich 2013
Maja Hürst
AQUATIKA
30/05/2014 — 28/06/2014
ahoiahoi project room
Basel
Maja Hürst's mini solo exposition / installation AQUATIKA is an examination of water, the artists favourite element. The installation invites the visitor to dry-dive over twenty works on paper, canvas or wood which elaborate water.
acrylic on paper
nine times 30 x 40 cm, framed
Zürich 2014
Maja Hürst
AQUATIKA
30/05/2014 — 28/06/2014
ahoiahoi project room
Basel
Maja Hürst's mini solo exposition / installation AQUATIKA is an examination of water, the artists favourite element. The installation invites the visitor to dry-dive over twenty works on paper, canvas or wood which elaborate water.
acrylic, alutape, graphite, needles and alutape on paper
30 x 40 cm, framed
Zürich 2014
Maja Hürst
AQUATIKA
30/05/2014 — 28/06/2014
ahoiahoi project room
Basel
Maja Hürst's mini solo exposition / installation AQUATIKA is an examination of water, the artists favourite element. The installation invites the visitor to dry-dive over twenty works on paper, canvas or wood which elaborate water.
spray on glas with message
5 x 25 cm
Hamburg 2011
Maja Hürst
AQUATIKA
30/05/2014 — 28/06/2014
ahoiahoi project room
Basel
Maja Hürst's mini solo exposition / installation AQUATIKA is an examination of water, the artists favourite element. The installation invites the visitor to dry-dive over twenty works on paper, canvas or wood which elaborate water.
acrylic, ink on wood
52 x 49cm
Berlin 2009
Maja Hürst
AQUATIKA
30/05/2014 — 28/06/2014
ahoiahoi project room
Basel
Maja Hürst's mini solo exposition / installation AQUATIKA is an examination of water, the artists favourite element. The installation invites the visitor to dry-dive over twenty works on paper, canvas or wood which elaborate water.
INVENTAR / INVENTORY
acrylic, spray, oilpastell on canvas
150 x 180 cm
Zürich 2013
Maja Hürst
AQUATIKA
30/05/2014 — 28/06/2014
ahoiahoi project room
Basel
Maja Hürst's mini solo exposition / installation AQUATIKA is an examination of water, the artists favourite element. The installation invites the visitor to dry-dive over twenty works on paper, canvas or wood which elaborate water.
acrylic, ink, alutape, needles on canvas
20 x 20 cm
Zürich 2014
Maja Hürst
AQUATIKA
30/05/2014 — 28/06/2014
ahoiahoi project room
Basel
Maja Hürst's mini solo exposition / installation AQUATIKA is an examination of water, the artists favourite element. The installation invites the visitor to dry-dive over twenty works on paper, canvas or wood which elaborate water.
Maja Hürst
AQUATIKA
30/05/2014 — 28/06/2014
ahoiahoi project room
Basel
Maja Hürst's mini solo exposition / installation AQUATIKA is an examination of water, the artists favourite element. The installation invites the visitor to dry-dive over twenty works on paper, canvas or wood which elaborate water.
the cultural magazine of Prohelvetia, No. 62, issue 1/2014
a person with a crazy headdress
plucking a dandelion
blowing wishes and ideas
living freedom
acrylic, spray and alutape on wall
Picadilly culture center, Brugg 2014
a person with a crazy headdress
plucking a dandelion
blowing wishes and ideas
living freedom
acrylic, spray and alutape on wall
Picadilly culture center, Brugg 2014
detail
the lion as Zürichs heraldic animal and the skeleton wrapped into each other
making lofts instead of love
deadly grip on plants with volatile blossoms
blooming precious places — mostly long gone
dedicated to my friends who won't loosen the grip
on our vision of our Zürich
single fingers can't do much
a fist can
spray, acrylic and alutape on wood
Europa Allee, Zürich 2014
the lion as Zürichs heraldic animal and the skeleton wrapped into each other
making lofts instead of love
deadly grip on plants with volatile blossoms
blooming precious places — mostly long gone
dedicated to my friends who won't loosen the grip
on our vision of our Zürich
single fingers can't do much
a fist can
spray, acrylic and alutape on wood
Europa Allee, Zürich 2014
detail
the river of Ekkamai
freshness in the heat
acrylic, spray and alutape on wall
private residence, Bangkok 2014
article in the LIFE / ART section of the Bankok Post newspaper
Maja Hürst
SAWATIKA
05/04/2014 — 20/05/2014
Toot Yung Art Center
Bangkok
The title of the solo exposition SAWATIKA is a wordplay of the Thai greeting «sawadee — kah» and Maja Hürst visual universe «TIKA». The installation for her first one-person-show in Asia is a retrospect on her experiences during her Bangkok stay as Toot Yung artist in residence from January till April 2014. Each triangle stands for a theme which has occupied the artists mind and work and is held by a hand, one of the TIKA key images. The alutaped shapes are catalyzers resembling the roof of a house, a temple or tree. Most of the artworks have been produced during Hürst's stay in Bangkok.
SKULL, spray, scratch and relief alutape collage on and behind plexiglass clipboard, 11.5 x 15.2cm, Bangkok 2014
LEFT HAND WITH LOTUS FLOWERS, spray, scratch and relief alutape collage on and behind plexiglass clipboard, 30 x 22.3cm, Bangkok 2014
SAWATIKA, woodcut and linocut print on 290gr fabriano paper, handfinished with alutape and graphite, edition of 3, signed and numbered, 61 x 82 cm, Bangkok 2014
RIGHT HAND WITH LOTUS FLOWERS, spray, scratch and relief alutape collage on and behind plexiglass clipboard, 30 x 22.3cm, Bangkok 2014
Maja Hürst
SAWATIKA
05/04/2014 — 20/05/2014
Toot Yung Art Center
Bangkok
The title of the solo exposition SAWATIKA is a wordplay of the Thai greeting «sawadee — kah» and Maja Hürst visual universe «TIKA». The installation for her first one-person-show in Asia is a retrospect on her experiences during her Bangkok stay as Toot Yung artist in residence from January till April 2014. Each triangle stands for a theme which has occupied the artists mind and work and is held by a hand, one of the TIKA key images. The alutaped shapes are catalyzers resembling the roof of a house, a temple or tree. Most of the artworks have been produced during Hürst's stay in Bangkok.
AFRODIZIA, indian ink on paper mounted on wood, 9.7 x 13.4, Bangkok 2014
MAKING LOVE, pyrograph on wood clipboard, 23 x 38cm, Bangkok 2014
THINKING OF HIM, acrylic and indian ink on paper, 30 x 42cm, Koh Prayam 2013 / Bangkok 2014
THINKING OF HER, acrylic and indian ink on paper, 30 x 42cm, Koh Prayam 2013 / Bangkok 2014
Maja Hürst
SAWATIKA
05/04/2014 — 20/05/2014
Toot Yung Art Center
Bangkok
The title of the solo exposition SAWATIKA is a wordplay of the Thai greeting «sawadee — kah» and Maja Hürst visual universe «TIKA». The installation for her first one-person-show in Asia is a retrospect on her experiences during her Bangkok stay as Toot Yung artist in residence from January till April 2014. Each triangle stands for a theme which has occupied the artists mind and work and is held by a hand, one of the TIKA key images. The alutaped shapes are catalyzers resembling the roof of a house, a temple or tree. Most of the artworks have been produced during Hürst's stay in Bangkok.
TRIANGLE 1, indian ink on paper mounted on wood, 9.7 x 13.4, Bangkok 2014
SAIGON PANTHER, acrylic and indian ink on paper, 21 x 29.7, Hoh Chi Minh 2014
PAINT(H)ING, indian ink on paper, 21 x 29.7, Lisboa 2013
SAIGON CROCKODILE, acrylic and indian ink on paper, 21 x 29.7, Hoh Chi Minh 2014
SAIGON ELEFANT, acrylic and indian ink on paper, 21 x 29.7, Hoh Chi Minh 2014
TRIANGLE 2, indian ink on paper mounted on wood, 21x24.7cm, Bangkok 2014
CYCLE, indian ink on paper, 29.7 x 21cm, Berlin 2013
TRIANGLE 3, indian ink on mounted on wood, 21x24.7cm, Bangkok 2014
Maja Hürst
SAWATIKA
05/04/2014 — 20/05/2014
Toot Yung Art Center
Bangkok
The title of the solo exposition SAWATIKA is a wordplay of the Thai greeting «sawadee — kah» and Maja Hürst visual universe «TIKA». The installation for her first one-person-show in Asia is a retrospect on her experiences during her Bangkok stay as Toot Yung artist in residence from January till April 2014. Each triangle stands for a theme which has occupied the artists mind and work and is held by a hand, one of the TIKA key images. The alutaped shapes are catalyzers resembling the roof of a house, a temple or tree. Most of the artworks have been produced during Hürst's stay in Bangkok.
Maja Hürst
SAWATIKA
05/04/2014 — 20/05/2014
Toot Yung Art Center
Bangkok
The title of the solo exposition SAWATIKA is a wordplay of the Thai greeting «sawadee — kah» and Maja Hürst visual universe «TIKA». The installation for her first one-person-show in Asia is a retrospect on her experiences during her Bangkok stay as Toot Yung artist in residence from January till April 2014. Each triangle stands for a theme which has occupied the artists mind and work and is held by a hand, one of the TIKA key images. The alutaped shapes are catalyzers resembling the roof of a house, a temple or tree. Most of the artworks have been produced during Hürst's stay in Bangkok.
Maja Hürst
SAWATIKA
05/04/2014 — 20/05/2014
Toot Yung Art Center
Bangkok
The title of the solo exposition SAWATIKA is a wordplay of the Thai greeting «sawadee — kah» and Maja Hürst visual universe «TIKA». The installation for her first one-person-show in Asia is a retrospect on her experiences during her Bangkok stay as Toot Yung artist in residence from January till April 2014. Each triangle stands for a theme which has occupied the artists mind and work and is held by a hand, one of the TIKA key images. The alutaped shapes are catalyzers resembling the roof of a house, a temple or tree. Most of the artworks have been produced during Hürst's stay in Bangkok.
Maja Hürst
SAWATIKA
05/04/2014 — 20/05/2014
Toot Yung Art Center
Bangkok
The title of the solo exposition SAWATIKA is a wordplay of the Thai greeting «sawadee — kah» and Maja Hürst visual universe «TIKA». The installation for her first one-person-show in Asia is a retrospect on her experiences during her Bangkok stay as Toot Yung artist in residence from January till April 2014. Each triangle stands for a theme which has occupied the artists mind and work and is held by a hand, one of the TIKA key images. The alutaped shapes are catalyzers resembling the roof of a house, a temple or tree. Most of the artworks have been produced during Hürst's stay in Bangkok.
HAND, plywood, 36 x 20cm, edition of 14, Bangkok 2014
SWIMMER — FROM BELOW, acrylic and scratch on canvas, 77 x 32cm, Koh Prayam 2013
SWIMMER — FROM BESIDE,acrylic and scratch on canvas, 77 x 32cm, Koh Prayam 2013
SEAMONSTER — FROM ONTOP, acrylic and scratch on canvas, 77 x 32cm, Koh Prayam & Bangkok 2013 & 2014
Maja Hürst
SAWATIKA
05/04/2014 — 20/05/2014
Toot Yung Art Center
Bangkok
The title of the solo exposition SAWATIKA is a wordplay of the Thai greeting «sawadee — kah» and Maja Hürst visual universe «TIKA». The installation for her first one-person-show in Asia is a retrospect on her experiences during her Bangkok stay as Toot Yung artist in residence from January till April 2014. Each triangle stands for a theme which has occupied the artists mind and work and is held by a hand, one of the TIKA key images. The alutaped shapes are catalyzers resembling the roof of a house, a temple or tree. Most of the artworks have been produced during Hürst's stay in Bangkok.
WHITE HAND MAGIC, pyrography, woodcut, acrylic and relief paper collage on wood clipboard, 23 x 40cm, Bangkok 2014
BLACK HAND MAGIC, pyrography, woodcut, acrylic and relief paper collage on wood clipboard, 23 x 40cm, Bangkok 2014
DIVERSITY, pyrography and acrylic on woodcut, 61 x 15.3cm, Bangkok 2014
SNAKE TOUNGS, indian ink on paper mounted on wood, 9.7 x 13.4cm, Bangkok 2014
NOSE EARRINGS, indian ink on paper mounted on wood, 9.7 x 13.4cm, Bangkok 2014
PLANE FACE, indian ink on paper mounted on wood, 9.7 x 13.4cm, Bangkok 2014
COCK CROWN, indian ink on paper mounted on wood, 9.7 x 13.4cm, Bangkok 2014
SNEEZE MASK, indian ink on paper mounted on wood, 9.7 x 13.4cm, Bangkok 2014
FLYING TIDDIES, indian ink on paper mounted on wood, 9.7 x 13.4cm, Bangkok 2014
MIDNIGHT SHULL, indian ink on paper mounted on wood, 9.7 x 13.4cm, Bangkok 2014
VILLAGE, watercolour and indian ink on paper, 21 x 29.7cm, Zürich 2013
Maja Hürst
SAWATIKA
05/04/2014 — 20/05/2014
Toot Yung Art Center
Bangkok
The title of the solo exposition SAWATIKA is a wordplay of the Thai greeting «sawadee — kah» and Maja Hürst visual universe «TIKA». The installation for her first one-person-show in Asia is a retrospect on her experiences during her Bangkok stay as Toot Yung artist in residence from January till April 2014. Each triangle stands for a theme which has occupied the artists mind and work and is held by a hand, one of the TIKA key images. The alutaped shapes are catalyzers resembling the roof of a house, a temple or tree. Most of the artworks have been produced during Hürst's stay in Bangkok.
PLASTIC BLUE, spray behind glass, 27.3 x 35cm, Bangkok 2014
CATALYZER SKULL, spray behind glass, 27.3 x 35cm, Bangkok 2014
BATTERY COPPER, spray behind glass, 27.3 x 35cm, Bangkok 2014
TRASH ORANGE, spray behind glass, 27.3 x 35cm, Bangkok 2014
Maja Hürst
SAWATIKA
05/04/2014 — 20/05/2014
Toot Yung Art Center
Bangkok
The title of the solo exposition SAWATIKA is a wordplay of the Thai greeting «sawadee — kah» and Maja Hürst visual universe «TIKA». The installation for her first one-person-show in Asia is a retrospect on her experiences during her Bangkok stay as Toot Yung artist in residence from January till April 2014. Each triangle stands for a theme which has occupied the artists mind and work and is held by a hand, one of the TIKA key images. The alutaped shapes are catalyzers resembling the roof of a house, a temple or tree. Most of the artworks have been produced during Hürst's stay in Bangkok.
LINDA, ink on paper on wood, 11 x 11cm, Bangkok 2014
LEO TRIANGLE, acrylic on printed cardboard on wood, 19 x 13cm, Bangkok 2014
LEO BLACK 1, acrylic on printed cardboard on wood, 13 x 13cm, Bangkok 2014
PITHORNS GINGER FISH, spray, alutape on and behind plexiglass, 30 x 22.3cm, Bangkok 2014
LEO BLACK 2, acrylic on printed cardboard on wood, 13 x 13cm, Bangkok 2014
MIMIS HOUSE, ink on paper on wood, 9.7 x 13.4cm, Bangkok 2014
CHINESE NEW YEAR, ink on paper on wood, 9.7 x 13.4cm, Bangkok 2014
BOAT TRIP, ink on paper on wood, 9.7 x 13.4cm, Bangkok 2014
VINCHUCA,ink on paper on wood, 9.7 x 13.4cm, Bangkok 2014
TOOT YUNG ART CENTER,ink on paper on wood, 9.7 x 13.4cm, Bangkok 2014
SUMMER GARDEN, ink on paper, 21 x 29.7cm,Zürich 2013
HAMBOURGESA, ink on paper, 21 x 29.7cm, Lisboa 2013
Maja Hürst
SAWATIKA
05/04/2014 — 20/05/2014
Toot Yung Art Center
Bangkok
The title of the solo exposition SAWATIKA is a wordplay of the Thai greeting «sawadee — kah» and Maja Hürst visual universe «TIKA». The installation for her first one-person-show in Asia is a retrospect on her experiences during her Bangkok stay as Toot Yung artist in residence from January till April 2014. Each triangle stands for a theme which has occupied the artists mind and work and is held by a hand, one of the TIKA key images. The alutaped shapes are catalyzers resembling the roof of a house, a temple or tree. Most of the artworks have been produced during Hürst's stay in Bangkok.
HAND, plywood, 36 x 20cm, edition of 14, Bangkok 2014
MYRTILLE & VINCHUCA, acrylic on canvas, 66 x 82.3cm, 2014
Maja Hürst
SAWATIKA
05/04/2014 — 20/05/2014
Toot Yung Art Center
Bangkok
The title of the solo exposition SAWATIKA is a wordplay of the Thai greeting «sawadee — kah» and Maja Hürst visual universe «TIKA». The installation for her first one-person-show in Asia is a retrospect on her experiences during her Bangkok stay as Toot Yung artist in residence from January till April 2014. Each triangle stands for a theme which has occupied the artists mind and work and is held by a hand, one of the TIKA key images. The alutaped shapes are catalyzers resembling the roof of a house, a temple or tree. Most of the artworks have been produced during Hürst's stay in Bangkok.
HAND, plywood, 36 x 20cm, edition of 14, Bangkok 2014
BUFFALO SKULL, clay, 14 x 16cm, Bangkok 2014
LADY IN WHITE, watercolour on paper, 5 x 21cm, Zürich 2013
BABOON SKULL, clay, 10 x 18cm, Bangkok 2014
ZEBRA, acrylic and indian ink on paper, 21 x 29.7cm, Zürich 2014
RHINO, ink and acrylic on paper, 21 x 29.7cm, Zürich 2014
DOG, ink and acrylic on paper, 21 x 29.7cm, Zürich 2014
HEADS, ink and acrylic on paper, 21 x 29.7cm, Zürich 2014
GOAT, ink and acrylic on paper, 21 x 29.7cm, Zürich 2014
Maja Hürst
SAWATIKA
05/04/2014 — 20/05/2014
Toot Yung Art Center
Bangkok
The title of the solo exposition SAWATIKA is a wordplay of the Thai greeting «sawadee — kah» and Maja Hürst visual universe «TIKA». The installation for her first one-person-show in Asia is a retrospect on her experiences during her Bangkok stay as Toot Yung artist in residence from January till April 2014. Each triangle stands for a theme which has occupied the artists mind and work and is held by a hand, one of the TIKA key images. The alutaped shapes are catalyzers resembling the roof of a house, a temple or tree. Most of the artworks have been produced during Hürst's stay in Bangkok.
JALOUSE BOUGAINVILLE, acrylic, spray, alutape on canvas,
130 x 195cm, Bangkok 2014
FLOATING HANDS & FEET, plywood, 36 x 20cm, Bangkok 2014
Maja Hürst
SAWATIKA
05/04/2014 — 20/05/2014
Toot Yung Art Center
Bangkok
The title of the solo exposition SAWATIKA is a wordplay of the Thai greeting «sawadee — kah» and Maja Hürst visual universe «TIKA». The installation for her first one-person-show in Asia is a retrospect on her experiences during her Bangkok stay as Toot Yung artist in residence from January till April 2014. Most of the artworks have been produced during Hürst's stay in Bangkok.
Maja Hürst
SAWATIKA
05/04/2014 — 20/05/2014
Toot Yung Art Center
Bangkok
The title of the solo exposition SAWATIKA is a wordplay of the Thai greeting «sawadee — kah» and Maja Hürst visual universe «TIKA». The installation for her first one-person-show in Asia is a retrospect on her experiences during her Bangkok stay as Toot Yung artist in residence from January till April 2014. Each triangle stands for a theme which has occupied the artists mind and work and is held by a hand, one of the TIKA key images. The alutaped shapes are catalyzers resembling the roof of a house, a temple or tree. Most of the artworks have been produced during Hürst's stay in Bangkok.
spray, marker & alutape on Metall, Bangkok 2014
chalk & water on wall, Bangkok 02/2014
ink pn paper, Zürich 2013
MY HEART SO WHITE IV
acrylic and pyrogreaphy on wood, 29.7 x 16, Zürich 2013
GENTRIFICATION MONSTER
spray on tape on glass, acrylic and spray on wall, Berlin 2013
spray on tape on glass, acrylic and spray on wall, Berlin 2013
spray & alutape on glass, Berlin 2013
part of the Räuberhöhle Collection
spray & alutape on wall, Letten Zürich 2013
acrylic on pyrograph on carved wood, Zürich 10/2013
the flexirecord image, in which Tim & Puma Mimi pressed a lullaby for their child
http://timpuma.ch/lullaby/
Zürich 11/2013
detail of VELOCITTA, spray on metall, Zürich 11/2013
detail of VELOCITTA, spray on metall, Zürich 11/2013
ink on paper, Zermatt 11/2013
page in the guestbook Spirig
THE HOUSE OF THE WINESPIRIT
acrylic, spray, alutape, lightchain on wall, Zürich Höngg 11/2013
harvest the Chatzeseicheli-grapes
tangy sweet smells of fall
last fires on sky and trees
the air announcing the long gray
the clear liquid warmth of spirit stays
beautifull sentimental tipsiness
heavy monsterous intoxication
endlessly toungkissing
WINESPIRIT IN THE BOTTLE
acrylic, spray, alutape, lightchain on wall, Zürich Höngg 11/2013
harvest the Chatzeseicheli-grapes
tangy sweet smells of fall
last fires on sky and trees
the air announcing the long gray
the clear liquid warmth of spirit stays
beautifull sentimental tipsiness
heavy monsterous intoxication
endlessly toungkissing
MASK OF THE WINESPRIRIT
WINESPIRIT
acrylic, spray, alutape, lightchain on wall, Zürich Höngg 11/2013
harvest the Chatzeseicheli-grapes
tangy sweet smells of fall
last fires on sky and trees
the air announcing the long gray
the clear liquid warmth of spirit stays
beautifull sentimental tipsiness
heavy monsterous intoxication
endlessly toungkissing
spray on wall, Zürich 10 /2013
ink on paper, 15 x 21cm, Berlin to Zürich 09/2013
gift to private collection P. Slamanig
quickie
spray on wall
Berlin 09/2013
spray, acrylic, alutape on wall
Cologne 09/2013
City Leaks Festival
the sultry days of summer in a dogs body
the starsign of sirius announcing fall
dogs salvia dripping from canis major
touching the earth creating a fata morgana
the feet dipped into refreshing water
QUEEN OF THE NIGHT
spray, acrylic & alutape on wall, Cologne 09/2013
City Leaks Festival
the firmament in a womans body
a minidress of sparkling stars
kneeling on the earth
laying her full hair over the sunset
bracing the cities in sleep
with Jhon Drypnz, portrait of a catfamily, Zürich 09/2013
spray & acrylic on wall, Zürich Altstetten 09/2013
3 colour risograph print
signed and numbered
Zürich 08/2013
for further information regarding to purchase this work
please write an e-mail
ink on paper, 15 x 21 cm, Berlin to Zürich 08/2013
gift to privat collection T. Müller
spray on shutter, Zürich 08/2013
acrylic over burned wood, 31.6 x 44cm, Zürich 08/2013
acrylic over burned wood, 31.6 x 44cm, Zürich 08/2013
acrylic over burned wood, 31.6 x 44cm, Zürich 08/2013
gift to the birth of M. Périsset
acrylic over burned wood, 31.6 x 44cm, Zürich 08/2013
acrylic on burned wood, 31.6 x 44cm, Zürich 08/2013
3 colour uv silkscreen print on transparent sticker foil
Zürich 08/2013
10chf plus shipping from Switzerland
for further information regarding to purchase this work
please write an e-mail
acrylic & pyrography on woodcut, 35 x 35 x 6cm, Berlin 2013
part of private collection Y. Wyler
spray on raft
Berlin 07/2013
acrylic and alutape on canvas
Bangkok / Binz / Berlin 2013
spray and alutape on wall
Zürich 2013
SUMMER FISCH FACE
detail, acrylic & spray on wall, Zürich 07/2012
EATING HEARTS
with Tamara Alves, spray on wall, Lisbon 06/2013
with Tamara, Alves, spray on wall, Lisbon 06/2013
chalk, Lisbon 06/2013
ink on paper, Lisbon 06/2013
ink on paper, Lisbon 06/2013
with Sheron, spray on wall, Lisboa 06/2013
ink on paper, Lisbon 06/2013
AFRICA IN LISBON
spray on wall, Lisbon 06/2013
spray on wall, Lisboa 2013
ink on paper, Lisbon 06/2013
ink on paper, Lisboa 2013
with Sheron
Zürich 2013
acrylic and spray on wall
Zürich 2013
woodcut, acrylic and marker on wood
Zürich 2013
woodcut, acrylic and marker on wood
Zürich 2013
woodcut, acrylic and marker on wood
Zürich 2013
woodcut, acrylic and marker on wood
Zürich 2013
woodcut, acrylic and marker on wood
Zürich 2013
woodcut, acrylic and marker on wood
Zürich 2013
woodcut, acrylic and marker on wood
Zürich 2013
woodcut, acrylic and marker on wood
Zürich 2013
woodcut, acrylic and marker on wood
Zürich 2013
woodcut, acrylic and marker on wood
Zürich 2013
woodcut, acrylic and marker on wood
Zürich 2013
acrylic spray, oilpastell on canvas
Zürich 04/2013
FORESTBIRD
spray & acrylic on canvas, 120 x 120cm, Zürich Binz 2013
part of private collection R. & R. Meyer
SUN / FLOWER
acrylic on canvas, 150 x 180cm, Zürich Binz 2013
part of the Art Collection Kanton Zürich
SWIMMER — FROM BELOW
acrylic on canvas, 70 x 25cm, Zürich Binz 2013
gift to private collection E. Hürst
SWIMMER — SIDEWAYS
acrylic on canvas, 70 x 25cm, Zürich Binz 2013
part of private collection S. Rasper
linocut handprinted on primed sticker foil
Zürich 08/2013
10chf plus shipping from Switzerland
for further information regarding to purchase this work
please write an e-mail
steel
180 x 250 x 300cm
Glarnerland 2013
acrylic and spray on wall, BUKRUK festival, Bangkok 2013
acrylic on canvas
70 x 25cm
Thailand 2013
with END, spray and acrylic on wall, Koh Tao 2013
3 coloured linocut on handcrafted Thai-paper
edition of 12
signed and numbered
Koh Tao Thailand 2013
ink on paper
ink on paper
ink on paper
gouache on paper
21 x 29 cm
Zürich 2012
gouache on paper
21 x 29 cm
Zürich 2012
gouache on paper
21 x 29cm
Zürich 2012
silkscreenprint on wood & CD
limited edition of 100
signed and numbered by Big Zis & TIKA
100.- chf plus shipping from Switzerland
order at tika@gmx.ch
spray, stencil, alutape and scratch on aluminium board
90x210cm
Zürich 11/2012
painted in my most favourite place to eat in Zürich, the Chiang Mai Thai Shop
Pum and Tek who fed me throughout all these years with their delicious curries
HERBST — DER SOMMER STIRBT JEDES JAHR FÜR DEN WINTER
Zürich 10/2012
Foto: Gabriela Domeisen
BINZ BLEIBT BINZ / BINZ STAYS BINZ
Zürich 09/2012
«STAIBOCK & HIRTIN»
Chur 09/2012
for more detail pics and backgroundinfo
BIG thankyou to Michael Risch for making it happen!
Shoutouts to ma mate Mate Cat, Markus TheMonolist Stäubli, Christian Felder, Boris Périsset, Sandra Boosher Chevalley & Dr. Acid! yo! for the fun the pizza and the dancing in the rain!!
3 colour silkscreen on transparent or golden stickerfoil, A5
10+5+10m x 1.5-6.5m
Kunstbaustelle Morant
Night of Museums St. Gallen, Switzerland
water is my favourite element and once again a summer full of diving, cannon balls and swimming in the river turns to an end. ... and I still haven't had enough :) so I painted this woman half in the water half reflecting.... with things in reality sometimes beeing much smaller than they seem in the mind.
MERCI Ajana, Thomas & all wo debii xie sind
BINZ BLIIBT BINZ!
BINZ STAYS BINZ!
110x20m
Centre Stage, Midtown, Atlanta G.A. Usa
Living Walls Conference
The building is host to the music-hall Center Stage since over 60 years. Acts such as the Rolling Stones, Jay Z and Elton John have made music in there. While researching I saw that in September 2012 the Atlanta based Hiphop-Band Arrested Development will give one of their 20 years anniversary concerts at this venue. The first CD I bought from my own pocket-money was their album «3 years 5 month and 2 days in the life of...» to which I've listened to for many years. The song Mr. Wendal was my favorite one. It talks of housless people and their struggle of acceptance in society. As I saw many homeless while driving through the city and as they maybe never be able to listen to a concert at Center Stage I wanted to bring a bit of the music to the outside....
When I first saw the building I straight away saw the kneeling/bowing person. So it became MRS. WENDAl embracing Center Stage as if it was a pocket radio, listening to the music going on inside. Naked and homeless but content. She ain't got much but music.
THANKYOU Thomas, Kief, Devin, Kim, Doodoobut, Trevor, Lucy, Susan, Fletcher, the media Team, all the Living Walls Team and all the helpers, Center Stage staff and a big shoutout to all the supertalented LW 08/12 artists!
the pictures below are:
my online research of homeless women
my online research of Arrested Development
some pictures of Martha Cooper
detail- & prozesspictures we made or found online
making of Mrs. Wendal, foto by Martha Cooper, Atlanta G.A. 2012
with SHERON, spray & acrylic on wall, Vienna 07/2012
acrylic, alutape, scratch & woodcut on MDF
each 165,6 cm x 118,8 cm
Vienna, Austria 07/2012
during the month of july 2012 I have been invited as artist in residence at the Museums Quartier in Vienna.
spray on amateur van
thankyou to Inoperable Gallery
vienna 2012
PEAR- / LIGHTBULB TREE
papercut and aluminiumtape on ceilling
Restaurant Feldberg Basel 2012
LOBSTER
acrylic, spray & oilpastell on canvas, 50 x 50cm, Rio de Janeiro 2012
part of private collection R. & R. Meyer
HAND WITH FLOWER
pyrography & nail polish on woodcut, Rio de Janeiro & Berlin 2012
part of privat collection
acrylic, spraypaint, scratch on canvas, each 150x180cm, framed
Rio de Janeiro, Brasil, 03/2012
is a brasilian expression when something went wrong
Conde de Iraja / Botafogo / Rio de Janeiro 02/ 2012
big thankyou to Carol, Clarissa, Gabi, Lolo, Felipe, Thomas & the lady in the zebradress
WRITERS LETTING THE BEASTS LOOSE
8x8m
Cedim, Rio de Janeiro, Brasil
My friend Anarkia invited me to paint this mural and have an artist-talk for her students which is the all-girls-graffiti-class Rede Nami. So I made this graffiti-writer riding a beast, half fish half horse.
VALEU Anarkia, Rede Nami, Thomas...
3 colour uv-silkscreenprint on transparent stickerfoil A5
CIRCUIT OF WATER
The WASH festival has the aim to help make access to clean water easier for people who nowadays have to walk for hours to the next pond.
Artists from all over the world got selected to contribiute to this idear. I was happy to meet old friends again and make new ones.
Zezao / KLUB7 / Dhear / NAF / Billy / Alaniz / Mittenimwald / Shamsia / Sago / Bitte alles ändern
Thank you viva con agua WASH festival for making this happen and bring all of us together!
each one of us had a wall constructed of pieces of woods in diffrent sizes, colours and textures
my wall had a greenish round shaped part on the left, so it was clear it's gonna be a mami-water tale
the rest of the painting built itself up based on the shapes, textures and colours of the woods, of the imputs we became at the workshop about water-consumption that the Welt-Hunger-Hilfe gave us and of thoughts about circuits in life. Circuits of souls. Circuits of water.
Hamburg 11/2011
viva con agua WASH festival
Hamburg 11/2011
AETERNA VANITAS /
ETERNAL VANITY /
EWIGE VERGÄNGLICHKEIT /
dedicated to my grandmothers and our cat Kimmy
acrylic on burned and cut wood, lightchain, plasticflowers
60x66cm, framed
Rio de Janeiro 11/2011
white / lightblue / black uv silkscreen on transparent stickerfoil A5
8€ plus shipping
PURCHASE
floating hills, a red dragon as the guard of the key of life
Ehrendingen 09/2010
my new favourite place in Zee to be!
Zürich 09/2011
ABS, Zürich 09/2011
STIKA ANIMALS PORTRAITS
original Tuschzeichnung
300gr Waterford Papier
ca.11x10cm
silkscreen zine with swiss artists and illustrators
acrylic and papercut over monotype-, woodcut-print, 250gr Fabriano archival paper, 60x81cm, edition of 7, signed and numbered, Zürich, Berlin & Vienna 09/2011
part of the Art Collection Kanton Zürich
spray and acrylic on wood
18x3m
for Bycicle Film Festival
Vienna 09/2011
spray, acrylic and scratch on shutters, Naschmarkt Vienna 09/2011
thankyou to Inoperable Gallery
painted this at the Bregenz Freak Wave festival inbetween slackliners, wakeboarders, assbombs into the Bodensee, Dj's bass, skatboarders, cloth- and jewellery-stands, the best woodoven something like pizzas, Kawa's crepes and coffee with supertalks, Käsleberkas and hangover for breakfast every morning not to forget Steffie and the Inoperable Boys ♥
spray, acrylic and scratch on 150x300cm Pressspan wood
Bregenz 09/2011
MAKE LOVE — NOT LOFTS
Berlin-bear in gentrification-chaines
Fuckparade Berlin 08/2011
Spree-Nixe fighting for Freiräume
Fuckparade Berlin 08/2011
Outside of Berlin, at the lake Grabowsee, stands an abandoned tuberculosis sanatorium, where a group of ambitioned people is working on realizing a project called kidsglobe.org. A project rooted in the believe that our future lies in the education of our kids. It aims to create a boarding school where kids not only get trained in common knowlege but also in arts, handcrafts, agriculture and how to respect eachother and the nature.
When I first went to paint at Grabowsee I didn't know so much about the project.... it was the day after Amy Winehouses death and my thoughts were circling around dying young. So in the train I had this ruff idea of an animal and a mermaid dancing handing over symbols of vanity to each other.... to paint the moment of full youth, joy and party beeing ripped into eternity.
20x8m, Grabowsee, Oranienburg, artbase 2011
acrylic, spray & old cinemaletters on wall, St. Pölten 08/2011
A serie of paintings on and behind glass for my soloshow «RABIESTIKA» in July 2011 in Berlin.
I'm sure you know this feeling when something happens in your life, that seems so wrong and that hurts so much as it must hurt to have a knife stuck straight in your heart. It makes you rage and scream and drives tears of anger in your eyes.... similar to how rabies infected beasts go mad. With white foam infront of the mouth, totally raging out of control.
I made some tests with glass over the last years, the results did not satisfie nor were they worth publishing and when I stumbled over a religous Austrian Hinterglassmalerei painting in a museum plus some dusty frames in our attic I chose to give it a try. The fox, the deer and the baboon made it into the show. Savely trapped behind glass. Like animals in a zoo.
acrylic on and behind glass, framed, 21.7x26.8cm
Berlin 07/2011 sold
acrylic and spray on wall
Zürich 06/2011
ink on paper, Wide Open Walls project, The Gambia 06/2011
LION OF GALLOYA
acrylic & spray on wall, open walls project, Galloya The Gambia 06/2011
this amazing project was so deep into my heart.... hard to find words for it
acrylic, spray and scratch on canvas, 100x50cm
Zürich 05/2011
sold
This wall I have dedicated to the saga that Isis went to search for Osiris remains on a papyrusboat and since then, people riding the Nile in a papyrus boat will not be harmed by crocodiles.
I got invited to Egypt for ten days by pro Helvetia and Goethe Institut in the beginning of may 2011. Also invited were Merzedes Gonzales de Garay from Spain, Mickry3 from Switzerland and Amr Ali from Egypt.
Alexandria 05/2011
altarlike Installation inspired by the wallpaper and telefon in our apartment, Alexandrian everyday streetlife where time seems to be counting still a bit yesterday, discussions about visas, globalisation, emanzipation...
Alexandria, Egypt 05/2011
In december 2010 I got white sheets of paper in my mail in Berlin... so did 26 other artists from Switzerland or Guatemala. I took mine to Cape Town where I painted them in really ugly colours :) .... to then overspray them white again... arriving in Zürich I added some drawings with black ink and scratching. Touesday the 15th of march 2011 at 18h the results of all 26 artists will be shown at the groupshow HOJA BLANCA / WEISSES BLATT at Schmuck Inc / Weinplatz 7 / Zürich before they travel to be exhibited in Guatemala City! more infos at weissesblatt.com
livepainting at Kunsthaus
Museumsnacht Zürich 12/03/2011
TIKATHEK
soloshow
Skalitzers Gallery Berlin
25/03/2011 — 24/04/2011
each feather a name of the community!
acrylic and spray on wall, 5x5m
Cape Town, South Africa 03/2011
At the entrance of the capetonian township Kayelitsha.
It's Erics Fruits & Vegetable business.
In the forehead of the lion is his shopwindow.
I went with Faith47, Dathiny and Dal! BIGUP!!
drawn in Cape Town, printed in Zürich
mintgreen and fluorescent orange uv silkscreenprint on transparent vynil stickerfoil, limitet edition of 500 sheets, 21x15cm
available for 5€ plus shipping
contact
acrylic, spray paint and scratch on canvas, 76x91cm, Cape Town 03/2011
part of privat collection E. & F. Hürst
acrylic, spray paint and scratch on canvas, 76x91cm, Cape Town 03/2011
gift to privat collection T. Meyer
acrylic, spray paint and scratch on canvas, 91x76cm
Cape Town, South Africa 03/2011
acrylic, spray paint and scratch on canvas, 91x76cm
Cape Town, South Africa 03/2011
acrylic, spray paint and scratch on canvas
20x40cm
Cape Town, South Africa 03/2011
pictures by Jonx Pillemer or TIKA
KAPTIKA
a solo show by international artist in residency
TIKA
26. February – 8. March 2011
/A WORD OF ART
66 ALBERT RD
WOODSTOCK INDUSTRIAL CENTRE
artist walkabout and preview on the 26. February at 6pm
Opening 26. Feb 8pm till late
with music by Oy (live)
DJ's
Remy Gold
Spoek Mathambo
Binary
Chiri Moya
the residency is kindly sponsored by Pro Helvetia, A Word Of Art, Woodstock Industrial Centre and One K
TIKA's Artist Statement:
TIKA’s work is a reflection on today’s global society, as well as the forgotten traditions and sagas of the past. TIKA has visited many places around the world, not just to travel but to get to know the local people and learn about their current situation along with what histories and traditions they grew up with. Born in Switzerland, TIKA grew up in Cairo, Brussels, Cologne, and Zurich, where she currently lives when not diving her time between Berlin and Rio de Janeiro. The name TIKA originally came from antibiotika, the German word for antibiotics. It’s also hindi-slang for ‘tilaka’, the different blessing-signs that Hindus wear as a symbol of power to protect the third eye. When you’re asked, “How are you?” in Hindi, you reply “TIKA!” to say that you’re fine. She studied at ZHDK but, as the artist explains, “it was learning about the D.I.Y. and cultural squat scene, reading a lot, living in a different places in the world, and painting on the streets that got me where I am today.” “What occupies my mind most is the diversity of points of views on life,” says TIKA. “Like the development of cities, how this affects spaces for self-determined living and projects. How buildings full of history get ripped down to be replaced by glass cubes. The effects globalization has on regional and traditional habits and architecture. Love, vanity and loss of people. How long and short at the same time a life can be and the before and after of it. I like to read about sagas and myth, about the written down and told to be true history and the actual circumstances in politics, economy and environment. What inspires me is everyday life. Random people on the streets, how they dress and talk and, if I get to talk to them, what and how they think. Of course, in the days of Internet I pick up a lot of information and inspiration through there, as well. Still, I try to read and see and think as often as possible without a computer between. When I create, it's like all experiences and thoughts run through me and out again. The feeling of creating while I paint, draw, write or cook is similar: I forget time while I'm at it.”? TIKA has left traces on the streets of Zürich, Bern, Basel, St. Gallen, Glarus, Berlin, Potsdam, Dresden, Munich, Cologne, Rio de Janeiro, São Paulo, Salvador da Bahia, Belo Horizonte, New York, L.A., San Francisco, Paris, Praha, Biarritz, Marseille, Barcelona, Madrid, Milano, London, Vienna, Sofia, Amsterdam, Istanbul, Cape Town, Buenos Aires, Mexico D.F., Gvernavaca, and Puerto Escondido. She has put on solo exhibitions in Amsterdam, Vienna, Berlin, and Rio de Janiero, and participated in various group shows around the world, including New York, L.A., Sofia, Mexico D.F., Milano, and Madrid. TIKA is currently participating in a three month residency in Cape Town through Pro Helvetia, /A WORD OF ART, One k, and the Woodstock Industrial Centre.??“I'm learning a lot about South African history and current effects of Apartheid,” she says. “I will take these imputs and let them go as the view of someone who is not grown up here into my solo show ‘KAPTIKA’ (a mix of the German word KAPSTADT and TIKA). All of the work included will be made during my stay in Cape Town.”
woodcutprint
acrylic on paper
56 x 60cm
open edition, signed
carved in Cape Town, South Africa 02/2011
editions printed 2011 / 2012 / 2013 / 2014
150chf plus shipping from Switzerland
for further information regarding to purchase this work
please write an e-mail
woodcutprint
acrylic on paper
56 x 60cm
open edition, signed
carved in Cape Town, South Africa 02/2011
editions printed 2011 / 2012 / 2013 / 2014
150chf plus shipping from Switzerland
for further information regarding to purchase this work
please write an e-mail
woodcutprint
acrylic on paper
56 x 60cm
open edition, signed
carved in Cape Town, South Africa 02/2011
editions printed 2011 / 2012 / 2013 / 2014
150chf plus shipping from Switzerland
for further information regarding to purchase this work
please write an e-mail
66 Albert road
Woodstock
Cape Town
Interview for the South African newspaper Cape Times, Cape Town 11/02/2011
at the corner Buitenkant and Commercial street
my first wall with a cherrypicker
Cape Town 02/2011
pictures taken by Jonx
a big thankyouverymuch to Ricky, Juma, Willard, Edward, Adrian, /A WORD OF ART, Pro Helvetia & African Acess
MY HEART SO WHITE III
acrylic & pyrography on carved wood, 52x34cm inclusive frame, Cape Town 01/2011
part of private collection K. Lang
«Mein Herz so weiss» ist eine Serie von Brandbildern in Holz. Inspiriert durch das gleichnamige Buch von Javier Mariaz das mir meine Freundin Liza vor Jahren empfohlen hat. Weiss steht für die Naivität und das Herz für Emotionen. In der Serie wird die Naivität der Einzelnen durch die Realität des Lebens bedrängt.
In diesem Bild sind es die Eindrücke die in Cape Town auf mich einprasselten.
Einerseits der noch stark zu spürende Unterschied zwischen den Rassen, sprich post Apartheit. Andererseits wie sich Armut und Reichtum nebeneinander zu Extremen entfalten. Kapstadts Zentrum erscheint mir wie eine schillernd glänzende, parfümierte Seifenblase mit schicken Läden und Cafes. Grossen Autos, Swimmingpools, äusserst modebewussten Menschen und weiss, strahlenden Häusern.
Die Townships hingegen, ich war in Gugulethu, versinken im Müll und in giftgrün stehendem Wasser indem sich grosse Ratten tummeln. Die Erwachsenen sind oft HIV positiv, wenige werden alt, und die Kinder gehen oft garnicht erst in die Schule.
Ich lebe in Woodstock wo sich diese Gegensätze vermischen. Dadurch wird mir geraten das ich Nachts nicht auf die Strasse soll und ständig hört man von Übergriffen. Letztes Wochenende war ich Nachmittags hier in der Nachbarschaft malen. Ich hab Azeeza kennengelernt, sie unterrichtet die Kinder in der Moschee nebenan und hat mich spontan bei sich zuhause zum Bairani essen eingeladen. Wir hatten ein langes Gespräch über «verwurzelt sein oder ein Nomaden Leben führen» und das beides gut ist weil die einen den Andern dann ihre Erfahrungen mitteilen können. Darüber wie wichtig die Familie ist und wie froh sie ist all ihre Kinder und Enkel bei sich in der Strasse wohnen zu haben und ich wie dankbar ich bin so tolle Eltern und den besten Bruder zu haben. Sie hat mich verabschiedet mit der Ansage, das wenn irgendwer mich bedrohen sollte ich nur sie als Referenz angeben soll. Alle kennen sie. Dieses Erlebnis, und auch die Kinder Woodstocks die bei mir sassen als ich gemalt habe und auch gezeichnet haben, lassen mich meine Soloausstellung KAPTIKA dem Stadtteil Woodstock widmen.
Zurück zu diesem Bild: Die gebrannte und geschnittene Meerjungfrau steht symbolisch für die Unterdrückung der Rasse als auch Tradition. Denn ausser an den Touristenmärkten hab ich bisher wenig traditionelles, eigenes gesehen. Die helle Kuh steht für gewinnmaximierenden Kapitalismus. Das Gedankengut das alles immer mehr und besser und schöner werden muss. Was in Kapstadt frei zu sein scheint ist die Natur, der Papagei-was-auch-immer Vogel und der Mond.
altarlike Installation inspired by the action chapel and muezzin chants from the Woodstock neighbourhood and dedicated to the eggplant with a nose
inspired by the turkishness of Kreuzberg
acrylic, needles and scratching on canvas, 18x24cm
Berlin 11/2010
inspired by the turkishness of Kreuzberg
acrylic, scratching, collage of metallic paper and needles on canvas 16x22cm
Berlin 11/2010
inspired by the turkishness of Kreuzberg
acrylic, needles and scratching on canvas, 18x24cm
Berlin 11/2010
wallpainting
Berlin 11/2010
if something has happened you don't agree with, the discussion resulting we call in german: ein Hühnchen rupfen / plucking the chicken
ink on paper 21x27cm<
Kreuzberg Berlin 11/2010
KÜSSEN is a Berlin based silkscreenstudio which releases a calendar each year.
I was asked to print the month of OCTOBER 2011
I did 340 pages with 3 rounds in irisprint
thanks to Thomas for assistance
expositionview of the work MUNDIALISTIKA at stroke 0.3
Berlin 10/2010
this painting is inspired by the «bumba meu boi» tradition from Brazil where people during carnevaltime build cow costumes around them and dress as harlequins and dance.
watch the making of here
acrylic and scratching on canvas, 200x310cm
Berlin, Germany 10/2010
painted on the entry of a squatted factory
spray, acrilic, scratching on pvc door, 250x500cm
Zürich 09/2010
for the birthday of a good friends loved one
acrylic, oilpastell & gouache on paper 150X250cm
Zürich 09/2010
for the Art Cycle 4 exposition at Inoperable Gallery in Vienna
spray, marker, acrylic and scratch on wood, ca. 20x35cm
Bregenz 09/2010
when the summer is so hot that all the water seems to evaporate
paste-up on door
Berlin 09/2010
inkdrawing on thin papercut, mounted in woodframe Berlin 08/2010
painted papercut pasteup on lightbox 42x58cm
Kreuzberg Berlin 08/2010
MY HEART SO WHITE II — inspired by the title of a book by Javier Mariaz
acrylic & pyrpgraphy on wood, 20 x 30cm, Zürich 08/2010
with Roa
sunday afternoon in a lightblue outdoor skatepool with Bo and Base around aswell. Summer rules! :)
spray, acrylic and scratch on wall ca.2.50x4m
Friedrichshein Berlin 07/2010
MY HEART SO WHITE I — inspired by a book by Javier Mariaz
acrylic & pyrography on wood, 16.5 x 33cm, Zürich 06/2010
a wall put together out of random woodpieces painted during one day at Scope Art Basel 06/2010
with Nesk
Binz, Zürich, 06/2010
gold, black and white uv silkscreenprint on transparent vynil stickerfoil, limited edition of 500 sheets 21x15cm sold out
drawn in Rio de Janeiro, printed in Zürich 05/2010
with Yasmim
privat residency, Lapa, Rio de Janeiro, Brasil 05/2010
RIOTIKA II soloshow
lightinstallation
Rio de Janeiro, Brasil 05/2010
05/2012 Rio de Janeiro
acrylic & nails on wood, Salvador da Bahia, Buenos Aires, Rio de Janeiro, Zürich, Berlin 2010
VULTURE HAT, ink, spray, acrylic & paper on wood, Rio de Janeiro 04/2010
gift to private collection of J. Lelo
with Mondo Lila
Buenos Aires 04/2010
WARRIORS LET GO THE BEASTS — THE SOUND OF A BERIMBAU
Swiss cooks have founded the project cuisine sans frontiere with the idear, that food brings together people, is a good opportunity to have conversations and through that creat a better environment. I spent five weeks with a chef and an administrator to translate and paint a mural in the favela Cidade de Plastico in Periperi in Salvador da Bahia.
We danced «rebolation», we ate rice and beans every day, we ran because of shootings and then saw the shot guy get carried away in a hand barrol, we were right next to the beach and every evening there was a sunset like an impresionist painting, the radio refreshed my musicmemories of the 80ies «heal the world», Elton Jhon and Erasure whise, kids drawing on their papers and tables and chairs causing another fight which belonged to the daily routine, dragquenns giving an audience on friday nights. Making new friends and having hours and hours of conversations and beers. Thanks to Cusisine sans Frontier, Sonja und Sonja, MSTB, Natal, Grazielli, Kelly, Emol, Julio, Thais, Bigode, Questão, ICEBE and all the other people!
4x20m
Salvador da Bahia 03/2010
3 page article and interview for the Australian magazine Hell Yeah, Winter 2010
Rio de Janeiro 02/2010
altarlike Installation inspired by candomble, macumba and umbanda, the grocerys purchased at the market and the overkill of jewellery and costumes produced for carnaval
I spent newyear 2009/2010 in this chalet in the swiss mountains in Sedrun, Bündnerland. While searching for tales out of this region i found this one of a «Waldmannli» (small man out of the forest)
In a small mountaintown in Graubünden there lived once a juryman. One day this man found a very bizzare animal in his garden as he has never seen one before. It was a small furry, black animal, with a red nosed snout and big claws but eyes so small it seemed it could not open them and with small sharp vampirelike teeth. He put this creature in a box and wandered in the village to find out what he has found. But no one knew what it was. Not even the books. So the towneldest decided to announce a gathering of all the villagers and mountainpeople. But still nobody had ever seen such a thing. So after long discussions they then decided that it would be best to kill this thing. On the way how to do it they couldn't agree. That's when the Waldmannli stepped forward and asked to have a look at he beast...
which he at once recognised as a harmless mole. Smirkingly he suggested to the villagers to burry it alife. Pleased of this easy, simple and even chep way they burried it alife in the jurymans garden where it has been found.
Broadly grinning the Wldmannli walked off and the mole strated digging the garden till it looked like an acnefaced teenager.
spray and acrylic on wall
Sedrun, Switzerland 01/2010
private residence, Netstal 10/2014
this cat came to visit me alot while I had the visarte studio
Zürich 09/2009
about vanity and how short and the same time long a life is
thoughts on a trainride from Berlin to Zürich 09/2009
ink, penpall and marker on paper, 15x21cm
graphit, acrylic & ink on wood, 24 x 43cm, Zürich 09/2009
for the groupexposition Art Cycle 3 at Inoperable Gallery, Vienna
part of private collection A. Leuzinger
where she hides all her secrets for her beautiful garden
acrylic, scratch on wooden door, 200x250cm, Zürich 09/2009
a nice day with Book, Onio and Lelo in an abandoned russian army base.
where I painted this goatflu piece used to be the Kantine. there where also still some russian signs on the walls. a very impressive space
spray and acrylic and scratch on wall
Potsadam 08/2009
everybody was talking about birdflu, then they were hyping swineflu, pharmaconcerns cashing on tamiflu...
and me I managed to get hit by the goat flu.
one week with Lelo on the Spycherberg Alp im Berner Oberland
goats, flies, pigs, flies, cows, flies, chicken and flies
helping to milk the goats, baking pizza in the woodoven, whatching the Sennen making goatcheese, walking up till the last bits of snow, baking nutbread, roasting bacon, beeing with my Äti Roman, save brushes from the goats curiosity...
Spycherberg Alp, Berner Oberland 07/2009
with Kboco
Berlin 06/2009
Cover & 6 page article for the swiss Magazine Amateur, 06-10/2009
han äs Herzeli wien äs Vögeli darum liebeni so ring
Zürich 04/2009
RIOTIKA / SUPALIFE edition of 12
silkscreenprint on posterwalls ripped down from the streets
printed by centrifuga
Berlin 10/2010
for the ANIMALISTIKA soloshow at Inoperable Gallery Vienna
Vienna 08/2008
for the ANIMALISTIKA soloshow at Inoperable Gallery Vienna
on the train Zürich — Vienna 08/2008
for the ANIMALISTIKA soloshow at Inoperable Gallery Vienna
on the train Zürich — Vienna 08/2008
acrylic on wall
Zürich 2008
with Atzgerei, Adhocrates & Rich-Art
painting a skateramp in the Museumsquartier Vienna 05/2008
Zürich, Switzerland 05/2008
what it has it doesn't like and what it wants it doesn't get
acrylic and alutape on papercut pasteup
Zürich, Switzerland 05/2008
acrylic and marker on wood
Zürich 2008
with VGBS, Guifari, Obetre and others
Bruxelles, Belgium 04/2008
acrylic and scratch on wall
Zürich 2008
with Drax OT
Lettä Zürich, Switzerland 03/2008
WASTEWATER, with 2501 & Zésão, spray on wall, São Paulo 2008
SKELETON
with 2501 & Zezão, spray on wall, São Paulo wastewaters 2008
with 2501 & Zezão, spray on wall, São Paulo 2008
thank you to everyone that made my stay in Rio so incredible and a happy 2008 painting
foto: Yasmim Asade
Morro da Gloria, Rio de Janeiro 01/2008
ink on paper, Rio de Janeiro 2008
serie of 50 woodcut prints, latex on carbon paper, 46cm x 65cm
Rio de Janeiro 12/2007
inspired by the book «Master & Margarita» by Mickael Bulgakov
Santa Theresa, Rio de Janeiro 12/2007
marker on ceramic, Madrid 2007
with Eltono, acrylic on wall, Patio Maravilhoso, Madrid 06/2007
with JOSE & M8 / TGS, acrylic on paper on glass, Munich 2007
with M8, acrylic and marker on comissioned office wall, 12 x 2.5m, Munich 2007
with M8 / TGS, acrylic and marker on comissioned office wall, 12 x 2.5m, Munich 2007
TIKA & M8 at Miss Hecker offspace in Berlin 11/2006
marker on wall, Vienna 2006
marker on paper, pasted the year before, slightly faded but still sticking, Munich 2007
our crewshow
with ENTA & M8
at First Ladies offspace
Zürich 05/2006
HOMIES LIKE FRUIT TOO
marker on door, Zürich 2006
TIKA / TGS, photo by Io Tillett Wright, New York 12/2005
with ENTA / TGS, spray on wall, Zürich 2005
marker on sign, Zürich 2005
HELLO, marker on disposed fridge, Berlin 2005
with ENTA / TGS, marker on door, Istanbul 04/2005
spray on wall, Zürich 2002
with ENTA / TGS, marker on papercut, Berlin 2004
marker on sign, Zürich 2004
with ENTA / TGS, marker on door, Zürich 2004
marker on disposed fridge, Zürich 2004
marker on cardboardbox, Zürich 2003